A datalogical reading of online performance

This article offers a datalogical reading of online performance. In constructing the framework for this new mode analysing online, computationally centred performance practice, it draws on discussions data and in Blackman [Blackman, L. 2019. Haunted Data: Affect, Transmedia, Weird Science. London: Bloomsbury Academic]; Clough et al [Clough, P. T., K. Gregory, B. Haber, R. Scannell. 2015. “The Datalogical Turn.” Non-representational Methodologies: Re-envisioning Research, edited by Vannini. Taylor & Francis Group] Chun [Chun, W. 2016. Updating to Remain Same: Habitual New Media. Cambridge, MA: The MIT Press], as well practices surveillance capitalism outlined Zuboff [The Age Surveillance Capitalism: Fight Future at Frontier Power. Profile Books]. conducting analysis, attention is specifically paid ‘process translation’ Academic], how audience-participant data-subject identified known ways which passes out bodies these works. looping together underlying computational happenings with dramaturgical performances, I argue that richer expanded perspective practice afforded – one opens up relationships between what we see, feel experience other unseen, but present exchange processing within events question.